Friday, November 5, 2010

Scott Allie Speaks on Buffy #39's Cover

Buffy #38 wrapped with Angel punching Buffy into a wall and announcing himself Twilight.  A lot of folks asked "Why was the cover for #39 withheld?"  Super Scott Allie gives us the answer:

"We know that at this point Buffy fighting Angel on a cover isn't the biggest surprise, but we wanted to conceal the #39 cover so as not to step on the final scene of #38. Now that #38 is out, we figured it made sense to reveal the complete cover right away. We're not expecting a marketing blitzkrieg, but we had to withhold the cover till now, and we always get lots of requests to see Jo's next cover ASAP, so we thought we'd get the cover out far and wide. If only we'd perfected the technique a little earlier ... "



And there you have it!

Reminder: Last day to sign up for the 2010 Whedonverse Holiday Ornament Swap!

If you'd like to join the nearly 50 people who will be creating and swapping fabulous Whedonverse ornaments this year, follow the instructions below before midnight tonight. We'll be sorting the groups immediately and you'll receive your list of recipients this Sunday!

If you're confused about what this is about, read full details here. To sign up, send an email with the following information to buffyfest@aim.com:

- name
- address
- email address
- your website or blog (if you have one)
- whether your are willing to ship internationally



Thursday, November 4, 2010

A Shepherd's Tale Review (Spoilers)


The Preamble: There are two things I do not typically consider myself to be: a browncoat or a fan of Derrial Book. I watched Firefly, sure. I saw Serenity in theaters. But unlike most Whedon fans out there, I never quite made that visceral connection to that world and those characters. Book, especially, was someone I never identified with. So imagine my surprise when this graphic novel went on to be the best Firefly comic to come out thus far. Rather than the usual synopsis then review format, I'm going to do it all in one section so, heads up, some spoilers are headed your way.






The Review: This story is sort of like peeling back the layers of a life. We start with the surface and we go deeper, and deeper, right down to the core of what makes a man. We open with Book's final moments and, as we do when we're fictional characters, with his lasts breaths he reflects on what brought him to this moment.

First on the journey back, unsurprisingly, is Serenity and it's here where Zack and Joss excel best. It may just be that every one of those characters was so perfectly cast but, truly, every voice is pitch perfect. There's a little something for people who like Jayne and River, plenty of love for the Kaylee fans, and a great moment involving Mal and Zoe beating the snot out of someone who saw fit to cross them.

Then begins the great foreshadowing because, really, what we want to know is how Book came to be known by the Alliance. But first our Shepherd needs to say farewell to the Church he called home, the one that saved him. He was in quite a state when he first arrived there. Foreboding, foreboding, foreboding, foreboding. Not sure we needed this moment, but have I mentioned it's foreboding? Cuz it is!

Back further. And drunk. Derrial is forcibly removed from the local dive bar I assume he is not unknown to frequent when an Alliance officer recognizes him. The officer mentions his little brother and the tragedy that befell him on the I.A.V. Alexander. And again I say FOREBODING!

Before we move backwards again, we get what is the defining moment where Book discovers his own spirituality. It's all done through the analysis of a bowl of soup and its place in the universe. Yup. This has got Joss's fingerprints all over it. The man loves to explain life through food. He should write a cookbook. It would be called "We're All Going to Die but, SHIT, this tastes delicious!"

Let's go back a little further. How does "Officer Book" sound to you? Now we're getting somewhere. And by "somewhere" I mean "Book having his ship retreat leaving behind who knows how many Alliance soldiers to die." This on its own is an interesting layer because it is completely different from the original assumption most people had. Everyone thought Book was a hero to the Alliance. Turns out he is a total failure. Or is he?

So we peel back further to when Book is starting out in the Alliance and, damn, he sure does like beating information out of people, even when it isn't necessary. In fact, as we go back even further, we see that hitting things is a bit of a Derrial Book specialty.

So here's the deal. Book is very similar to Angel. Because he does things that he thinks is for the greater good at great sacrifice to the lives of everyone around him. Before he was in the Alliance, he was against them. He was part of a group fighting them. So that failure when all those people in the Alliance died? Maybe not so much a failure, exactly, if you're someone who believes in necessary collateral damage by way of lots of dead soldiers. Because, in this moment, that's the kind of dude Book is. And that? Is fucking awesome. I mean absolutely horrific, sure. I wouldn't want to know the guy because I'm sure I'd wind up dead but, as a character? He just got a lot more interesting. Hell, I kind of want to go back and re-watch Firefly right now for hints of this side of Book.

But before that I want to quote the end of the story where we see how this character started out. A kid, getting beat on the regular by his drunken pops, running away from home. He walks down a deserted alley (sound familiar?) He thinks to himself:

"You see, this life is a fight and if you sit still, someone will get the drop on you. They'll pin you down. I won't let that happen. I'll protect myself, take what I need, and keep moving. Because it's every man for himself. Get out of my way.

This life is mine."

I think that says it all, really, doesn't it? Sure there are some moments that felt a little wasted and unnecessary, but there are so many revelations about this character. Like so much of the Firefly universe, he is now whole, complete. Which is the best thing about this whole brownout thing Joss crafted. It's his most cohesive work and he did it in far less time than anything else he's ever created. Book was out there in "don't know, don't care" land for so long but now? He's fascinating! I love that there's this selfishness at the root of him. I love that he sacrificed countless lives for a greater good he wasn't even sure of. There's something so vain and awful and brilliant and human about him now that I never knew until right now. So thanks to the Whedon bros (for whom there should be an 8-bit style side-scroller made) and thanks to Chris Samnee for giving the whole thing this great murky feel that fit the story just right.

Go pick it up, if you haven't already. And Scott? Get Zack and Joss to make more. Beg if you must. Because this? This was great.

Wednesday, November 3, 2010

Buffy #38 Review (Spoilers)

The Preamble: It occurs to me that I'm going to live just long enough to regret what I said on preview night and then be brutally murdered by a very angry fanbase.  At the time, it seemed like saying something exciting to get people jumpy would be a good idea.  I thought it would be, you know... fun?  I guess what I'm trying to say is: Dead Blogger Walking.  In the past I've done the plot first followed by the review.  Since we're so close, I'm going to review first with as few spoilers as possible and then post the plot but keep it blacked out for those who want to wait until they get the actual issue.  Consider it an olive branch in the hope that I won't be drawn and quartered (or become the subject of hate!fic for years to come... if I'm not already, that is).

The Review: I woke up this morning and realized I was supposed to write this review yesterday and now I'd have to do a rush job.  In some ways, that forces me to pull out all the stops, try for something really impressive to compensate for the fact that I'm winging it as I go.  I know it's been four years, I know there was a meeting between Joss and Scott to go over everything, but I can't help but feel like this issue reads as though it was written on the fly.  There's just so much happening and, at times, it feels convoluted.  Twilight, the Seed, Buffy, Angel, Spike, the possible end of magic, the US army, Bug One, it's everything and the kitchen sink which leaves very little breathing room.  It is, in essence the antithesis of "The Weight of the World".

On the plus side, when it fires, it does so on all cylinders.  The betrayer is now looking more like "betrayers".  I really like how every character has their own unique and conflicting motivations right now.  There's something mature and honest about close friends drifting apart even when they're standing right next to one another.  I also like how there's still some mystery left.  With all the major notes, one of my biggest questions was "What is Giles playing at?" and he wasn't even all that actively involved this time around.

There are only two issues left before the curtain falls and every character is set to go through some major changes.  There's a reason Season 9 will be split into multiple titles.  I don't think anyone is going to be able to look each other in the eye.  So, yes.  All very exciting, big cliffhanger ending, I just hope it all makes some semblance of sense when the dust clears.



The Plot: I can't believe they killed... that random bug on Bug One!  Yes, yes.  Throw your sticks, your rotten produce, possibly your very sharp knives, hurl me down a flight of steps onto some bullets.  It was a bit of a psyche out.  Tantalizing people is an imperfect science.  I might have gone a bit wrong this go around.  If you could maybe not murder me, that would be cool.  But back to the beginning!

The preview you know.  Angel fights with the Twilight Lion, the Master has a chat with the Scoobies while all hell breaks loose outside, and then demons show up and smack the crap out of Dawn.  Now... they fight, the demons demand Willow tell them where "it" is by which I assume they mean the seed.  They fight some more, Willow nearly sets Spike on fire, it's a bit of a scene.  Demons defeated, Xander holds Dawn.  She looks... not good.  Dawn groans "Buffy..."

She's alright.  Sort of.  Xander complains that she's a bit too heavy to carry which raises some girlfriend snark.  Body image issues are hilarious!  Buffy sends Xander and Dawn away to get Dawn some care away from the fight and we can see that Dawn is, at least, able to walk on her own.

The Master tells Buffy he needs her to help him guard the seed.  In a single panel we see Angel, elsewhere) just his face but it's kind of... green and his eyes are completely yellowed out.  He's zombie Angel.  Meanwhile, Buffy isn't terribly interested in working with her first big bad (barring Lothos, of course).  She snaps off a make shift stake and tells Spike to hold the Master down.  Willow stops this by telling Buffy that they are currently losing the war and that, if the Master wants what they want, then he's part of the team.  There's an argument since, you know, the Master kind of killed Buffy that one time.  Willow brushes it off by saying that Buffy and Spike weren't always "B.F.F.'s" which is a pretty shitty comparison frankly.  Buffy rightly calls out Willow and asks her what happened when she went temporarily comatose.  Willow admits to being "summoned" by her sexy snake lady but when Buffy asks what was said, Willow deflects.  "If the seed can connect the spiritual realms to this new Twilight Sex Eden you created, maybe we can use it to heal the Earth, chase the demons out.  Maybe we can use it to make the world better, Buffy".

And now we're in the room with the seed.  Yes, that room.  The casa de betrayal sauce.  The Master's eyes turn red.  He's in a bit of a thrall.  There is thrallage.  He attacks Buffy and hurls Spike across the room.  He announces that the seed is "not without its defenses" and, indeed, it would seem that Buffy has no power here.  The Master tells Buffy that she is the same little girl he met years ago, that he can still smell the acne scrub.  Wait, Buffy used acne scrub?  Anyway, it looks like he's going to kill Buffy, Giles looks like he'll shoot either the Master or maybe the seed but instead Willow stops him and tells the Master that they will help him protect the seed.  This, for some reason, temporarily stops the Master long enough for Willow to tell Buffy to get out of there.  Giles ushers Buffy away and they have part one of what I am now deeming "the talk".  No, not the birds and the bees.  It's about how the seed was there all along, how did Giles not know?  It can Kill Buffy and Angel?  Giles says that he didn't understand the Twilight thing save for the idea that is was "terrifying".  They cop to the fact that the whole "Chosen" thing is the reason Twilight became possible.  Buffy does that thing she does where she blames herself for every death in the history of forever.

Meanwhile, there's Angel.  I, uh... uh oh.  He's laying down, the lion stand over him.  "Stand up".  He does.  "Fly".  Yeah, that, too.  I guess the Master's not the only one under a thrall today.

On Bug One, the General smashes one of the bugs over the head... to death.  Yup.  Your death for #38, everybody (please, no real life murderin' times!)  Warren and Amy wonder why they didn't do that a while ago but the General isn't interested in spending anymore time with them.  He splits the scene to go and find his army buddies.

Back to Buffy and Giles for "the talk" part dos.  Well, Spike is there now so there's more planning than talking.  Buffy needs to get in the fight and so does Spike but Spike can't exactly go strolling out into daylight.  That's fine, stand around long enough and the fight will come to you.  Before that, though, Giles makes with the inspiration words.  

"This may be Sunnydale, but we're not running 'round cemeteries anymore, Buffy.  You're not that girl.  You've become something I never could have imagined."

"Giles, these powers"

"I don't mean the powers.  But you must put those powers to use now.  And I can help, but not here.  I'll see you when this is over..."

Yeah... what the hell, comic?  Are you going to kill Giles?  Sorry, sorry.  The plot!  Giles busts a move and the demons make towards Buffy and Spike.  And, shucks howdy, that's a whole mess of demons.

Army tent.  Xander and Dawn turn up and run into the General.  You'd think this would be a bit of a problem but the General is happy to help stitch up Dawn.  He also has some choice words for Xander.

"You seem like a normal guy, could even be mistaken for a solider.  Our intel says there's a way to end all this, you know.  There's something here.  All we gotta do is destroy it.  All the fighting ends.  That's why your friends shot down there, right?  But they want to protect it, don't they?  Son, believe me, I understand the temptation of power, but are they so addicted to it they want all *this*, too?"

Did someone say "addiction"?  Oh, look, it's Willow!  Miss "magic is a drug" herself.  She's got the Master in some magical shackles.  And she's talking... to the Master?  Nope.  To the seed.

"Awake in peace!  Your eyes that dart the rays of the sun, whose divine power is great on the head of the goddess!  Your heart is the beat of life, that gives life to all!  The queen of Earth undying the regent in the west, and in the east, the Divine Mother who ascends to the throne!"

Willows eyes are bright red.  Yes, it's a trilogy o' thrall, this week.

"Let your sworn protector stand against your enemies!"

To be continued?  No?  You mean there's more?  Alright then!
Buffy and Spike at the mouth of the cave, beating back the demon horde.  Uh oh, there's a really big one and Spike isn't sure how they'll take it down.  Suddenly, the demon just bursts.  Oh, good, it's Angel.  Buffy is relieved.  Except we, the audience, know that something isn't right in Angel-ville and we can see that his eyes are red-rimmed.  He punches Buffy into a wall.  Spike shouts "Angelus!"  Yeah... no.  Angel grabs Spike and throws him into what I think is outside, into the sunlight. Ruh roh.

In response to the "Angelus" accusation.  Buffy says "No" and Angel responds simply with "Twilight".

Now we're at the end.  Wowzers!  See you next month assuming I'm not dead by fandom.


Tuesday, November 2, 2010

Buffy #38 and A Shepherd's Tale: Preview Night

We got them, we read them and we've got something to say about them...not too much, though. Nothing spoilery, just teasingly tantalizing.


With the last few issues of Buffy moving in fast, we'll be having preview nights for each of the remaining stories to get everyone hyped for what we can only guess will be a painful, shocking and brain-crushing Buffy Season Finale. Stay tuned for those. Here are our thoughts for Issue #38:

Michelle: So, I see where this is going and all roads are definitely leading to badness. Poor everyone. Oh, and if that lioness is supposed to be Buffy and Angel's offspring, I just don't see the resemblance.

Bitsy: I can't believe they killed...

Tara: Um guys? I'm scrrred.


It's been a busy week in the Whedonverse with the additional release of the long awaited story of our favorite Preacher in, A Shepherd's Tale.

Michelle: This story was written really well. The character voices are spot on. I love Sheperd Book in all his complicated glory and it's complicated for sure.

Bitsy: I thought Angel made some questionable choices for the greater good but, damn, just... damn.

Tara: This is a nice one! When I finished reading the last page, I felt myself needed that next one more than I have in a long time. Oh, and the art in this is just beautiful.

Monday, November 1, 2010

Whedonverse Celebs - Halloween 2010!

Halloween 2010 is now over and Celebs of the Whedoverse really stepped up their game this year. First up, the Hannigan-Denisof clan. Last year when little Satyana was a wee tot they dressed her up as a fuzzy pink dog, but then the whole fam got together for round 2 and dressed as fricken' adorable Kangaroos. Now that Saty has grown a bit, they decided to all dress up as a bunch of toys! Check out Alexis as a Toy Soldier! He rocks! Alyson Hannigan went as Raggedy Ann and Saty is an adorable sock puppet. Love them!


Next is the Queen of the Whedonverse, Buffy herself, Sarah Michelle Gellar and little Charlotte Prinze. This is Charlotte's first Halloween and Mama has put her in a Dorothy costume from The Wizard of Oz. Cute, but I wish Smidge would take a page out of Willow's book and get in the Halloween spirit herself instead of wearing that incredibly chic quilted leather jacket she's got on! Oh well, I'll forgive her if she signs on for a Buffy movie some time this year.


Last but most certainly not least, is little Dawnie, Michelle Trachtenberg, who very clearly wins the creepiest costume of the year award. Michelle went for a Child Beauty Pageant Queen, complete with huge tiara, frilly socks, blonde hair set in pipe curls, boxed doll pose and CRAZY EYES! AAGH! WITH FAUX LASHES! Yeesh.

Click to enlarge all photos. Hope you had a great Halloween!



Thursday, October 28, 2010

The Whedonverse Dresses Up!

I find this article so humorous, mostly because I can picture David Boreano strutting his stuff at a Frat party in a skin tight green leotard. It's both exciting and frightening at the same time. Willow must feel the same way as she is seemingly eating pieces of Borenano's Riddler costume in a fit of rage and confusion. Anywho, check out some of the Whedonverse's favorite Halloween costumes in preparation for this weekend.

Wednesday, October 27, 2010

Angel #38 Micro Interview With Mariah Huehner and David Tischman & Review (SPOILERS)

We caught up with Mariah and David for another in our series of micro interviews.  The first two questions are pretty vague but the third contains a rather large spoiler so I'm actually blacking out the whole thing.  Scroll over the text to read it.  Seriously.  It's so good that I've actually kept the review (which you'll find below) almost completely spoiler free for once.  So.  Here we are, then.  Interview first! 

Buffyfest: You just wrapped another man's (Bill Willingham) story arc.  What were the challenges with that and, honestly, how much did you deviate from his original plan? 

David Tischman: That's funny, because I don't know what Bill's plan was.  I would say, we're using and integrating some of the elements Bill had been tinkering with, but totally in our own way.  The story we're telling is 100% based on conversations Mariah and I had, about what the fans love about ANGEL, and about where we wanted to take the characters.  My inspiration is always the TV series.  Specifically, Season 1 and Season 5.  That's where I wanted to take these issues.  Keep the themes from those seasons in mind, make the characters' voices authentic, and that's ANGEL.  And I think we're there. 

Mariah Huehner: What we mostly did was take plot points I'd discussed with Bill, specifically around the Sisterhood and James, and then maneuvered them to get us where we knew the characters needed to be for the last arc. We deviated a lot, in the sense that we had the end game to plan for, so we really needed the story to go a certain way and end up where it does. Bill set up so much, and if we'd had the time, there were a lot of threads I would have loved to develop and explore more. But the reality is, we had to very quickly set up the last arc. And most of it was really getting to #38 and making sure that the emotional moments felt true and earned. Which I hope they do.

Buffyfest: Connor's evolution took a surprising turn this issue.  Will it play out further in the final arc?  What is Team Connor going to get up to while Angel is in the future 

David Tischman: Connor's evolution--your word, not mine--isn't over.  So, yeah, there's more to come.  That kind of power is scary and unpredictable, and it freaks people out.  I think we hit all of that.  By paring down the number of people bouncing around the panels on each page, we're going to be able to focus on character, and relationships.  And the evil in the world.  Some good action.  And a change of address. 

Buffyfest: That moment on the roof with Connor and Angel was huge.  Can you tell us how that idea evolved and what it's inspiration was? 

David Tischman: Look…there's only so many times you can tell the same story.  Or hit the same beat.  How long have we been dancing around this, "I don't know how to talk to my son" bit?  And, frankly, at this point, Angel should be more evolved than that.  We also need to move the story forward.  Mariah and I talked about it, and we agreed that it was time for that conversation on the roof.  The fallout from that conversation pushes Angel and Connor--both--to pursue their individual stories in this last arc.

 Mariah Huehner: The inspiration was kind of their entire relationship up until this point. Connor and Angel have this tendency to take a step forward, and then like 10 back. So, we really wanted to define them as father and son and what that means to Angel.  The other moment I thought about a lot was at the end of ATF, when Angel meets Connor after the dial back. There was a bit of mirroring it, emotionally anyway, and we wanted it to feel "big". That this was an important, defining place that they've reached. Everything in our last arc comes out of this moment, so, it really had to matter and it really had to make the reader -feel- the way they did when watching the show. We  wanted people to feel the bittersweetness that's at the heart of pretty much all of Angel (the show and the character), all the hardship he's been through with Connor, how difficult it is for him as a father. I think Connor brings out the humanity in Angel. So hopefully we accomplished that on some level. It's always so hard when you're dealing with the page because actors are what make emotional moments work on screen. They bring that other level to it. But hopefully we managed to do that a little here. 


With that pesky interview business out of the way... onto the review!


The Preamble: It's been just shy of a year since Bill Willingham's arc began and, this Wednesday, we'll finally see his story come to a close.  At times controversial, this season saw Connor take center stage, Spike struggle with soul difficulties, and Angel get bored.  We saw some new faces, some goodies turned out to be baddies, and not everyone made it out alive.  With Connor's life (and all of L.A.) hanging in the balance, Angel and co. stand fast as they begin their final battle with the Sisterhood of the Jaro Hull.

The Plot: I've been told that I spoil far too much in these reviews so I shall keep this brief and only give away a little.  The preview, which you've seen, shows Angel and Illyria attempting a rescue of the very much alive (for now, anyway) Connor.  Just as the Sisterhood takes up arms, Spike and the rest of the team turn up in the nick of time.  There's a battle, a revelation concerning Connor's "evolution", and then we find ourselves back on the top of a building, Angel looking tired.  What happens there I will not spoil but I will say that it was, to me, beautiful and long overdue.  We end with a new paradigm and the return of an old enemy.

The Review: You know, I've heard people say that IDW ought to be taking notes from Dark Horse on how to properly portray Spike.  Frankly, I think it's Dark Horse who should be picking up a copy of this issue for a refresher course on who Angel is.  After a long time of Angel taking the back seat, he is, without question, the focus of this issue and, as we already know, going to be the focus for the story moving forward.  Quite simply, this is the best Angel has been written in the five years he's been at IDW.  He felt so real to me and the scene with him on the roof was so palpable, that I am not ashamed to admit that I shed a few (very manly) tears.  Outside of that I have the same complaint that I will always have about the IDW comics: like the second half of Angel Season 5, the story moves too fast and not as much as I'd like gets explained.  I never quite understood why the Sistrhood of the Jaro Hull were such a threat and I wish I had a better understanding of Connor's evolution.  It also feels like not a lot actually happened in this issue even though, by the end of it, everything is different.  Ultimately, though, the emotional punch more than makes up for the flaws.

Angel #38 hits stores today!

Monday, October 25, 2010

Interview with Ian Klein - Essayist for Inside Joss' Dollhouse: From Alpha to Rossum

Last week we attended the book release party of Inside Joss' Dollhouse: From Alpha to Rossum hosted by essayist, Ian Klein, here in New York. The book is an anthology of 18 reflective and critical essays about Joss Whedon's show Dollhouse edited by Jane Espenson. Not just edited, but selected from an exhaustive group of submissions from writers both experienced and green.  Ian wrote one of the included essays about the character of Claire Saunders called "'I Like My Scars': Claire Saunders and the Narrative of Flesh". Before the event, we sat down with Ian to discuss the book, the Whedonverse, and more. Check out some photos of the night and our interview below.


Buffyfest: What is it that intrigues you about Dollhouse?

Ian Klein: I think what intrigues me about Dollhouse is what it attempted to do versus what it did actually do. I know one of the early criticisms of the show was "Who are we supposed to root for?" and "There's no central character here" but as someone who is interested in the creative development of television and thought, wow, that's a pretty big challenge. Even if I as a regular television viewer has never seen the work of Joss Whedon before I would think "wow, let's see how character transformations are made if we're leading toward a reaffirmation of identity or just this complete defragmentation of identity". So for me it was sort of about the creative challenge that the show posted initially and then it was interesting that I didn't end up latching onto Echo at all as a central character which for m was fine because there were plenty of other characters (including Claire Saunders) that I were more interesting and felt more real to me whether or not they were actual people.

Buffyfest: I want to talk about Claire. Why her? Why was she the one you chose to write about?

IK: I think Claire's vulnerability and her presence that was always behind the scenes was so intriguing and was one of the things that I saw in earlier postings online and that one of the things I noticed in the early promos for the show was that she was shown as being this mysterious and intriguing figure and was relegated to the background for some reason for so long. But, on the flip side, she still had such a strong character arc and you really felt empathy toward her throughout all the episodes and even though she was in, I think, only three episodes of the second season, her story still felt whole to me in a way that I did not feel about any of the other characters who are in every single episode. And the fact that she's scarred, too. When you see someone who is scarred in any popular medium, that's an immediate in into their psyche and you know that they have a past and you know that there's some sort of damage beyond the surface going on and the scar is just an external representation of the things you can't hide that are so traumatic that they have burst onto the surface of their being.

Buffyfest: In the trailer, the question is raised "Can you wipe away a soul?" which begs the much larger question "Do you believe in the human soul?"

IK: I do believe we have a soul. In terms of how that relates to the show, every character, I think, ultimately, has a fragment of their previous self in them and that is the core of themselves and that is what makes connections between the characters in a really meaningful way. So that sense of relationship that has developed through those core fragments, call it the soul, or what their purpose is on the show and of what our purpose is in life.

Buffyfest: Do you think the future as portrayed in Epitaphs one and two could happen to us in the real world? Or something akin to it?

IK: Yeah, I absolutely believe something like that could happen, especially with our current affinity for digital identity. Ten years ago it was the fear that someone was going to steal your credit card and make a purchase. Now, the stakes are a lot higher because so much of us is on hard disks (aka wedges) and that's scary. You know, I was reading this political cartoon about Google and it was just these two people talking at Google and saying "Well, we have everybody's information, what do we do now?" and it was sort of this question of "Who is going to make that move beyond where we are right now with our digital selves?" and ultimately it's going to come down to money as everything in the Dollhouse does. There's an essay in here about the economy that the Dollhouse sets up and that to make this world believable you have to address everything we have in our world but one of those biggest things is money. It's interesting, I just reread "Fray", and with Epitaph the world reminds me of a lot of the stuff that "Fray" talks about in terms of the classes, were they live, what they have... Fray has the sil,the bracelets that are the currency and she makes a mention to her sister about things being all about "cred" and "up" and the upper part of future Manhattan. So I think that something that Joss Whedon is playing with and I wish we would have seen more of that future.

Buffyfest: You've been reading the comics though, haven't you? The Buffy and Angel ones.

IK: Yes, which I feel play a lot more with that. Maybe it's because those writers or anyone who is writing comics is going to talk about what's happening right now in our world through that lens. It's the same thing that's happening in Buffy Season 8. WHo has magic and who doesn't. That's a kind of currency and skill as well that some people have and some people don't. So what happens when that's taken away from everybody, what happens when one person has more than someone else?

Buffyfest: Let's talk about the complication that comes of the reveal about Boyd as it relates to Claire. The importance of her having her own autonomy isn't just important to her, as a character, it's important to the show as a whole. Do you think that when we find that that Boyd is at the heart of everything that it in any way diminishes Claire's autonomy and who she is?

IK: I don't think it diminishes the autonomy that she's developed within this oppressive system because we know that there is some degree of programming, of course, already in the Claire Saunders imprint but she has, to steal from my own quote "She has succeeded even Topher's expectations in how far she has developed". So when the Boyd thing comes along I see it as this tragic manipulation with him using what power he has over her, whether that be literal or otherwise and based on her own knowledge, her own character, she was led to this. I do think she made a choice to be with Boyd and there's an essay in here that suggests that maybe she feels that Boyd is the one person that loved her most and she needed that and that it was a safe kind of relationship to have where she was.

Buffyfest: I want to draw a parallel between the nature of vampires on Buffy and the nature of actives in the Dollhouse. When a person becomes a vampire, they lose their soul and become a monster but, despite what the Watchers seem to think and what the slayers try to ignore, we've seen incontrovertible proof that these demons retain something of what the person was before. If we look at the actives, it's very similar. In that context, even though Claire denies her original personality, isn't it still relevant to who she is?

IK: Oh, yes, absolutely. I think were the show to go on and if we were to get more backstory, I think you would find someone who was, too some extent, shy, very compassionate and empathetic, and a caretaker. I think it's not so much that it's irrelevant but that Claire Saunders is an evolution in a way to that nameless person who came before Whiskey. So she's ultimately more powerful than the original idenitity but, having incorporated that, I think it's still respectful of that original identity. So we don't fail bad as viewers that we'll never know and she will never know who that original person is because we haven't identified with that original we've only identified with this amalgamation and the end product of that identity.

Buffyfest: Let's do the easy stuff. What is your favorite Joss Whedon show?

IK: Buffy the Vampire Slayer is my favorite Joss Whedon Show.

Buffyfest: What is your favorite season of Buffy?

IK: Season 6.

Buffyfest: What is your favorite episode of Season 6?

IK: For some odd reason (or maybe perfectly legitimate reason), I often watch the trio of Smashed, Wrecked, and Gone. All in one sitting. I guess I like dark things and that downfall is really interesting to me and how those are all euphemisms for being high. It's just a great character study in those three episodes.

Buffyfest: Who is your favorite character?

IK: I'd say Willow.

Buffyfest: Why?

IK: I think it's because of the dark places she goes and she's arguable the most innocent when the show begins. Buffy goes to some dark, personal places, for sure, and has gone evil for an episode or two but Willow was going to destroy the world. And she ripped the skin off of somebody. It's kind of dark. But that's so truthful. I like that she went there and I like the beginning of season 7 where she's apprehensive about being with her friends again and I think that's something that a lot of people can identify with, being ostracized, doing terrible things, and having earn peoples' trust again.

Buffyfest: Do you identify with Willow? Have you ever tried to destroy the world, Ian?

IK: I haven't. Not yet, anyway. Haven't had any desire to. But I've done terrible things. I've had to regain peoples' trust.

Buffyfest: Let's do the Dollhouse thing Favorite episode?

IK: I would say my favorite episodes is "Vows". Probably because of Claire's breakdown. Now I'm so in love with Claire and I feel for her so much, not that I want to see her hurt but, that scene, when she breaks down with Topher is really moving.

Buffyfest: So Claire is your favorite character then?

IK: Yeah, absolutely. I felt that I go to know Claire better by writing this. I had this thought that I knew there was psychological depth to her. She became so real in my mind. Especially this scarring which is such a universal thing.

Thanks so much to Ian Klein for sitting down with us. Inside Joss' Dollhouse: From Alpha to Rossum is available now.



Saturday, October 23, 2010

Last Chance for Can't Stop The Serenity's Auction!

Can’t Stop the Serenity 2010 is coming to a close, but there’s still once last chance for you to support Equality Now and win fantastic prizes! CSTS is auctioning off a whole host of amazing prizes, donated by the global sponsors. In this promo video, see Eliza Dusku, Summer Glau and Dichen Lachman signing one of the featured prizes!


With Buffyfest being a proud global sponsor of Can't Stop The Serenity, we were thrilled to donate part of the package below:

"This is your chance to win an amazing collection of items from Joss Whedon’s world of slayers and vampires. Three volumes of the “Buffy Omnibus” series (volumes 5, 6 and 7) have each been autographed by Buffy writer, Jane Espensen. Scott Allie and Brad Metzler have signed copies of Buffy Season 8 “Twiglight” Parts 3 & 4. And if that’s not enough, this collection includes volumes 1-6 of Buffy Season 8! This amazing collection has been generously donated by Jane Espensen, Dark Horse Comics and Buffyfest."





Go bid on this collection or one of the other fabulous items and lots up for auction! This is a wonderful opportunity to own some awesome Whedonverse items, and help Equality Now fight for the rights of women and girls who can’t fight for themselves, so bid high and bid often!


Friday, October 22, 2010

The 3rd Annual Whedonverse Holiday Ornament Swap!

It's that time of year again! You're invited to join our 3rd Annual Whedonverse Holiday Ornament Swap. We're so excited to do this every year, the results are amazing and our homes fill up with Whedonverse cheer. See for yourself the fantastic holiday craftiness from the past couple of years:

http://www.flickr.com/groups/buffyfestholidayswap/

Wasn't that awesome? If this is your first time reading about the swap, let us explain. The event is about crafting 4-6 ornaments with a Whedonverse theme and sending them to 4-6 different recipients. In return you will receive 4-6 completely different handmade ornaments from around the globe to adorn your xmas tree, holiday bush, menorah, or any place you'd like. As you can see from the photos, you really can make them out of anything: Wood, knit, sew, paint, draw, sculpt, paper craft, recycle old ornaments (earth friendly!)....have fun with it!

If you'd like to join, sign-ups begin right now and will end on Friday, November 5th at 11:59 PM U.S. EST. Please be willing to go through with this entire thing before signing up, though! Deadbeats will ruin the holiday cheer for everyone and make people sad. Here are the guidelines in 7 easy steps:

1. Sign up for the swap by sending an email with the following information to buffyfest@aim.com by November 5th.
- name
- address
- email address
- your website or blog (if you have one)
- whether your are willing to ship internationally*

2. On November 7th you'll receive an email from us containing the addresses and email addresses of 4-6 swap participants for you to send your ornaments to. (Again, you will have access to each others home addresses, as well as email addresses. Please contact each other with any questions, disputes or praise.)

3. Design and create multiple Whedon themed ornaments!

4. Package your ornaments well - especially if you create anything fragile. (Note that most international shipping requirements do not allow for any plant life or food type stuff.)

5. Send one of your ornaments to each person on the list of 4-6 other swap participants in your group by December 1st.

6. Sit back and relax as you wait to receive 4-6 lovely Whedonverse ornaments in the mail!

7. If you would like to share photos of the ornaments you make and receive, please do so in the swap flickr group here: http://www.flickr.com/groups/buffyfestholidayswap. You will need a flickr account to upload photos, which is easy to set up.

*A note on international shipping: Please only select international shipping if you are willing to ship at least 2-3 of your ornaments overseas. Take the cost of shipping into account when you design your ornament. Lighter and more compact ornaments are cheaper to ship.

Any questions? Email buffyfest@aim.com

Thursday, October 21, 2010

I Know Why Luke Perry Cries

So Luke Perry was at Dragon Con a few months back and was doing the old photo op thing.  You can see the best of the bunch here but I have randomly selected one which I feel is representative of the pack.

Labyrinth Rules!
There is a certain sadness behind those 90210 eyes.  I think it's because Dylan is really down that Pike didn't get to make his come back in Buffy Season 8 as the big bad, Twilight.  The fandom (and Hank Summers)  feels your pain, sir.  Hang in there!

Wednesday, October 20, 2010

Angel #38: Exclusive Preview Pages

By: Bill Willingham, Bill Williams, Mariah Huehner, David Tischman, Elena Casagrande, Jenny Frison

Death. Destruction. Destiny. None of these can compare with the betrayal Team Angel is about to face, the old enemy that's about to re-surface, and the epic showdown Angel and Connor are going to have to tackle together. And someone other than the readers finally wonders, just what the hell is really up with Spike?


32 pages
$3.99
In stores 27 October 2010



 Click the below images to enlarge:

 

*Please note that these preview pages are not final images. Any errors will be corrected for the actual release.

Monday, October 18, 2010

Micro-Interview with TV Night Organizers Jeremy & Michael

Last week we attended Brooklyn's Knitting Factory for their TV Party that's held every Monday night. The special event: both "Once More, With Feeling" AND Dr. Horrible sing-alongs! They also showed some other Buffy eps, had fantastic games and even a customized menu. Check out the cocktails:

BEFORE THE DAWN - tequila, orange juice, and grenadine syrup
BLOODY BUFFY- tomato juice, vodka, Worcestershire sauce, hot sauce
Faith's Shot to the Heart - Malibu® coconut rum and peach schnapps
BLACK FROST (turns you into a caveman) - Guinness and Lemonade
The Cordelia - Vodka, Peach Schnapps, Cranberry Juice
Team Spike - captain morgan's spiced rum, raspberry liqueur - on ice
Team Angel - whiskey, lemonade, maraschino cherry
The Evil Willow - vodka, Jagermeister liqueur, grenadine syrup, raspberry liqueur

We personally preferred the "Team Spike" over the "Team Angel," which is worth noting. Bitsy decided to stake me with a rather large umbrella in a contest to try and win a free "Team Spike". Thanks a lot, Bits. For people in the audience that weren't Whedonites or never watched Buffy (there were a few!) organizer Michael put together this fantastic vid of all 7 seasons of Buffy. Reminisce on the good times:


After the show we caught up with organizers Jeremy Pollet and Michael Austin for a micro-interview. Check it out:

Buffyfest: What made you add a Buffy themed event to your TV night lineup?

Jeremy Pollet: My friend Michael [Austin] and I decided to host TV Parties, because, well...why watch TV at home alone when you can have a TV Party instead? And who better to party with than Buffy fans? Two of my all time favorite women on this planet, my sister Alison and my pal Elisabeth, are both Buffy fanatics, and I have always loved watching episodes with them- laughing and engaging with the show (pointing stuff out, explaining the connections, interpreting the meanings). So, it seemed obvious. Must throw a Buffy party.

Michael Austin: Women

Buffyfest: How did you get into Whedon?

JP: My sister has introduced me to a lot of great things in this world. Whedon is one. She forwards me links to articles about him, essays by him, and general Whedon news. So I give her full credit. Her influence is all over TV Party's 2010 line-up. She showed me Freaks and Geeks (which we're doing in Nov.) and Twin Peaks (Dec.) and she's taught me how to make a mean tuna melt (which I'm doing sometime soon, I hope. With cheddar).

MA: 75% of my friends in high school watched Buffy and Firefly and I was kind of on the fringe watching an episode here or there. Definitely way more of Buffy. I definitely watched the first 3 seasons in their entirety as a kid. Watched more when I got older. especially when my college roommate had the entire series on DVD. He also had the complete Golden Girls...not sure what that's about. Oddly enough I got into Whedon more watching Angel as a kid. Dr Horrible sealed the deal and now that he's directing/writing The Avengers movie we're super tight.

Buffyfest: Favorite episode?

JP: I know it's not very original to say, but...Once More With Feeling.

MA: I always liked the Halloween episode myself. Xander turning into a bad ass military guy, Willow as a ghost and all that fun stuff. Although I do have a new found appreciation for Once More With Feeling now that I know what "You make me complete" is actually referring to. Don't know how I missed the implied sex the first time around.

Buffyfest: Favorite Whedonverse character?

JP: Buffy!

MA: Dr. Horrible! (Although Penny=crazy hot in my book so also a fav)

And there you have it! If you want to check out TV night, tonight they are holding an X-Files event and an Arrested Development one is in the works! Check out the Facebook page here:

http://www.facebook.com/group.php?gid=144105848963314

Bits as he falls into the Hellmouth.


Friday, October 15, 2010

Episode 2 of Buffyfest's Halloween Guest Spot on Joss'd

Halloween is drawing near and once again the kick-ass crew over at everyone's favorite Whedon podcast, Joss'd, invited us to guest on a series of special spooky eps. In this second part we discuss the very Halloweeny Season 4 episode "Fear, Itself". Listen in on us cracking up at Giles' sombrero, Anya's bunny costume, Xander's insecurity and more at www.Jossd.com.

Oh and if you missed part 1 where we discussed the classic S.2 episode "Halloween", click here.

Thanks again to everyone at Joss'd for including us in this very festive fun!